Playwright Josefina López appropriates the basic construct of Ibsen’s An Enemy of the People, tosses in large dollops of magical realism and transforms the lead character from a 19th-century Norwegian doctor into a 21st-century Mexican curandera.
Co-published by The American Prospect
Kikito, an enormous photograph of a 1-year-old child, pasted onto plywood sheets, stands 65 feet high on Mexico’s side of the border. Viewed from the U.S., he is a giant black-and-white toddler, his chubby hands appearing to grip the top of the border wall as he looks over it, into the mysterious United States.
A new historical play looks at a disputed tract of land that would eventually become Watts.
This illuminating stage work about Dick Gregory, the late iconic comedian and civil rights activist, receives a powerhouse performance from Joe Morton as the stand-up comic.
A new drama speaks not only to issues of criminal justice, but to the inner turmoil many of us wrestle with every day.
Blade Runner 2049 not only replicates many of the original film’s great qualities, but soars on its own as a stunning modern cinematic achievement.
Ball culture, the subject of the 1991 documentary Paris Is Burning, is the backdrop for Filipino-American playwright Boni B. Alvarez’s new play, Fixed
Runaway Home should pack more of a punch than it does. The production has rich and satisfying sequences, most of them generated from the supporting ensemble. Whatever its shortcomings, the play is almost too timely for comfort. Storms batter our coasts while climate deniers reign.
Playwright Stephanie Alison Walker was among the thousands of homeowners to receive a foreclosure notice in 2008. The experience prompted her to write American Home, a textured melodrama centered on a young couple whose lives come apart once they start to lose the house they love.
Dolores, a documentary mix of archival footage and interviews with Dolores Huerta, her family and such prominent figures as Gloria Steinem, Angela Davis and Luis Valdez, portrays the United Farm Workers co-founder as a pivotal yet relatively uncredited luminary in labor history.
For Dick Gregory, American racism was a senseless fact of life: “I never learned hate at home, or shame. I had to go to school for that.”
There is no shortage of social and political content for viewers to stream online. Here are some of the best new films released so far this year addressing social and political themes, in time for late-summer viewing.
With its storybook marriage of private investment and civic management, the myth of the 1984 L.A. Olympics is alive and well at City Hall. But not everyone’s memories of the Summer of ’84 are quite so golden.
Crown Heights isn’t the tidiest film but that untidiness (so very much like real life) is a lot of its strength.
“Detroit” has garnered a host of criticism for its brutality, its narrow focus, its failure to depict important dimensions of the black community. But “Detroit” the movie is not trying to be Detroit the city.
Racial justice advocates rallied outside the Los Angeles Memorial Coliseum on Saturday to protest the blackballing of Colin Kaepernick by the National Football League.
“Whose Streets?” spotlights the turbulent grassroots protests that followed the 2014 shooting of an unarmed African-American teen, Michael Brown, by a white police officer in Ferguson, Missouri.
Directors Sabaah Folayan and Damon Davis made “Whose Streets?” to tell the stories of the Ferguson uprising that the mainstream media was missing.
A new one-man show by Alex Alpharaoh chronicles the challenges he faced growing up as an undocumented immigrant in California, and his continuing quest to attain legal status in the United States.
Clancy Sigal was probably better known in England than in his native country, but he still had many American fans who read his books and articles and marveled at his wide-ranging interests, his brilliant writing and his perpetual outrage at social injustice.