Set in a Detroit automobile outfitting plant, Dominique Morisseau’s drama grabs you from the start with its focus on blue-collar men and women, and their struggle for dignity and self-respect.
Carol Wells, the founder of the Center for the Study of Political Graphics in Los Angeles, talks to Capital & Main about the enduring power of political art.
One of the play’s weaknesses is the surfeit of soap-operatic family exchanges that spill into melodramatic shouting matches.
When a student doesn’t have enough money for lunch, cafeteria staff in many school districts take away the child’s tray of hot food and hand the student a brown paper bag containing a cold cheese sandwich and a small milk.
Although not all of ICE‘s comedy clicks, Martell’s story has both weight and charm. The production’s overriding plus is its successful rendering, fashioned with humor and craft, of the difficulties immigrants face.
A new staging of Nancy Keystone’s award-winning political play comes to the Kirk Douglas Theatre in Culver City.
A striking juxtaposition between the past and present courses throughout the small gallery. Celia Blomberg’s “International Women’s Day March 8” can’t help but make one think of 2017’s Women’s March, which occurred 37 years after the print’s first appearance.
The New York Times has credited Sirota’s Wall Street reporting for showing “that secrecy can hide high fees, low returns, excess risk and the identity of politically connected dealmakers.”
The Inner City Youth Orchestra of Los Angeles’ Wednesday concert reflects on M.L. King Jr.’s times, struggle and sacrifice, with the orchestra’s musical setting of King’s “I Have a Dream” speech.
Yusuf Toropov’s drama, set in a contaminated, cancer-ridden community, involves a publisher and his brother — a priest struggling against the local archdiocese.
Stamped by their government as enemy aliens, the Kimura family is uprooted from their home and re-housed in a barracks-like setting where they are treated like criminals.
Playwright Quiara Alegría Hudes pays special homage to the folk music, food and familial culture of the Puerto Rican community, but her story winds through a mountain of prosaic exposition.
In the Golden Age of Hollywood, producers knew that social issues sold tickets. It’s a lesson the film industry might be ready to re-learn.
Most people know that Malcolm X began his public career by calling for black separatism. Lost Tapes: Malcolm X reveals surprising details that have not been seared into our collective view of the martyred activist.
The second drama in playwright Quiara Alegría Hudes’ trilogy juxtaposes one soldier’s post-war tribulations with stories generated by a group of recovering drug addicts.
A revolutionary buddy film from the director of I Am Not Your Negro.
Born in Poland and brought up in New Jersey by an immigrant mom who cleaned houses for a living, playwright Martyna Majok has fashioned her experience into a compelling feminist work.
Many of the miscreants exposed in Netflix’s Dirty Money series take the “everyone else does it” defense. The misdeeds chronicled here underscore just how insidious and pervasive the grab for cash all around us is.
The L.A. Times newsroom remains in a state of siege. Tronc has established an alternative editorial team for its shadowy “Los Angeles Times Network,” and has declined to explain to Times staffers what its intentions are for this new enterprise.
By 11:30 a.m. Friday morning the votes were tallied in the first-ever union vote taken by L.A. Times editorial staffers: 248 in favor, 44 opposed.