Supermarket and pharmacy employees are “essential workers” who are still on the job. The say they need more COVID-19 protections.
The president of the Economic Policy Institute discusses the COVID-19 financial tailspin and attempts by lawmakers to mitigate the damage.
L.A.’s City Council will vote on a far-reaching aid package for workers and renters. Business groups are fighting the plan.
Even as Californians are ordered to shelter in place, renters face the prospect of homelessness.
Frontline nurses claim that a lack of both N95 masks and coronavirus testing is putting hospital populations at risk.
Classifying immigrants as “arriving aliens” allows the government to deny them a chance for release from detention.
Erwin Chemerinsky says an impeachment trial’s need to hear witnesses overrides White House claims of executive privilege.
A family of toxins known as PFAS has gotten its closeup on the silver screen via Dark Waters. Will regulators take note?
I grew up on the western edge of South Central, near Century Boulevard and Van Ness Avenue. My block was full of local government workers—sanitation, probation, school district. I don’t know if the private-sector folks were unionized, but their wages were competitive enough to allow them to buy houses in the area, a scenario made possible by the standards set by unions that, from my perspective, were becoming mainstream. Part of that standard was hiring blacks as a matter of course.
It hardly needs to be said that today’s focused attack by the Right on unions all over the country is an attack on the working and middle classes. Public employee unions are the big target now because the private sector unions have frankly become too puny over the last generation to pose much of a threat any more to the corporate powers that be, which have expanded as rapidly—more rapidly, actually– as unions have dwindled.
The right-wing has never been happy with the National Labor Relations Board’s mission of safeguarding employees’ rights. But in the past year, there has been a full-scale attack on this commitment, in the wake of NLRB decisions to charge Boeing with unfair labor practices and its rulings in other key cases. The Senate has refused to confirm new members to the board, forcing the President to make recess appointments to keep it functioning. Now the attack on the NLRB has reached a fever pitch, as the powerful Club for Growth has made defunding the board a “key vote” test for lawmakers.
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As some folks know, the City of Los Angeles’ Bureau of Sanitation and Board of Public Works have been holding a series of stakeholder meetings about raising the bar for how our city picks up and handles waste at businesses and apartment complexes. As of now, we have what’s called a permit system – and, despite the city’s Herculean efforts, it’s a free-for-all. Basically, private waste hauling companies pick up trash on overlapping truck routes – jumping over one another in every corner of the city for individual accounts.
In general – whether we’re talking about job standards, air quality standards, or recycling standards – we’ve got a race to the bottom. For now, though, let’s talk about truck routes. We’ve got neighborhood blocks – particularly in communities with a high proportion of renters– with five or six different companies picking up trash at adjacent buildings. That means emissions,
“[T]he ruling elite […] have created societal institutions that have subdued young Americans and broken their spirit of resistance to domination.” So claimed psychologist Bruce E. Levine in his article “8 Reasons Young Americans Don’t Fight Back,” which appeared on AlterNet last July.
The author of Get Up, Stand Up: Uniting Populists, Energizing the Defeated, and Battling the Corporate Elite cited a 2010 Gallup poll that asked American workers, “Do you think the Social Security system will be able to pay you a benefit when you retire?” Seventy-six percent of 18 to 34-year-olds responded “No.” These young workers are currently paying Social Security taxes yet expect no return on their money.
For Levine, their evident acquiescence to this shafting is a strong indication that the “ruling elites” have succeeded in breaking the spirit of young Americans.
Burdened with student loans, overmedicated with anti-depressants and battered into consumerist passivity —
The Frying Pan recently visited John Hernandez, the owner of a State Farm Insurance agency in Pacoima, a blue-collar community located in the North San Fernando Valley. He is also a member of the Pacoima Chamber of Commerce, Arleta Neighborhood Council, Pacoima Neighborhood Council, LAPD Foothill Area Booster Association and a member business of Icon Community Development Corp.
Frying Pan: You opened your insurance office in July 2010 — why open in such tough economic times?
John Hernandez: I guess you could say I have that entrepreneurial spirit — being in the business for over 20 years, I felt the need to open my own. I wanted to come to a community where there was no presence from other major carriers. I felt like there was a need in Pacoima for affordable insurance and a preferred carrier. I have four employees, so I was also focused on bringing some jobs to the community.
[printme]Richard Montoya got a surprise not too long ago. The playwright-performer of L.A.’s satirical comedy troupe, Culture Clash, discovered that a book of plays his company had performed over the years had been swept up in a contemporary American controversy. Namely, the shutting down of the Mexican-American Studies Program at Tucson Magnet High School. The book was part of the program’s curriculum until Arizona’s Attorney General, Tom Horne, found the program to be insufficiently patriotic under a new state law.
Horne will be appearing before the Ninth Circuit Federal Court of Appeals in a matter of months. Meanwhile, Montoya’s new play, American Night – a picaresque view of American history through the eyes of a Mexican immigrant – has received good reviews at the Oregon Shakespeare Festival in Ashland, where it is being performed through September. The Tucson brouhaha re-ignites a debate about the purpose of American political theater with a social justice message.