It’s hard to imagine now, but there was a time when San Francisco was considered a working-class town. It had always been home to a generous share of bohemians, dilettantes and tycoons, of course – but it had also been the city of unchallenged union power, the general strike and rough-hewn but familial neighborhoods spilling from the Fillmore District to Potrero Hill. It’s where even Jack Kerouac worked as a brakeman for Southern Pacific.
“Anyone who disappears,” says a character in The Picture of Dorian Gray, “is said to be seen at San Francisco. It must be a delightful city and possess all the attractions of the next world.” Generations of Americans in search of reinventing themselves have agreed – along with those simply searching to invent. This latter group of “tech bros, hipsters and yoga yuppies” is the focus of Alexandra Pelosi’s 40-minute documentary, currently viewable on HBO TV and its streaming platforms.